Monday 25 January 2010

Haiku

I wrote this on a whim. Montaigne believed marriage to be a cage and I believe that all of us married know this idea. Some cages are traps, some give us voluntary captivity, some we are free to leave for a while and return, some we can bend the bars to fit if poorly made.

I guess that the Haiku could be expanded in consecutive verses each in the 5/7/5 form. I have an idea to try that, to see if I can create a more complete perspective. This is too pessimistic.


Come to me my love
Within my cage my anger
Waits alone for you

Voyeur

“What if the door is locked?”

“And what if it’s not? Your constant pessimism is so wearing”. He scrapes at the ground with a twig, not purposefully but negatively wearing away at the earth, flicking stones away, digging in to root out a channel. “Why should everything be against us?”

“Well you just assumed that it’s alright, no one said that said we can”.

It is two hours since I was disturbed, forced to hide, but I’ve managed to remain unnoticed, I have learnt to do this.

Crouching, uncomfortable and wet, my calf muscles aching under the compression my posture is placing on them, my lower back is tight and painful. It has taken weeks for me to lose the urge to dampen my fingers with my tongue, a magnetic habit that I had acquired before adulthood, but the dirt ingrained in my fingers is drawing them toward my mouth. I perceive stress as dryness in my hands; even though I am no stranger to filth I feel dirt the same way. A dry branch has caught against my sleeve and if I move there will be a sure consequence, a snap, a cause so simple as to effect my discovery.

I cannot see them but their voices sound weak, I picture them emaciated, lank hair matted, with lice, like me. Both of them have the bitterness of strong people no longer able to be the source of their own determination colouring the timbre of their voices. I wonder if once they had all of their material lusts satiated, were considered beautiful among their peers. Beauty lost becomes a source of suffering; poor beauty becomes incarnate.

“Do you think that guy who use to own this place is around? I’ve heard that he’s still here somewhere.”

The question brings a light and casual laugh and he pauses before saying “You know, I think I wish he were, now.”

His sudden change in mood seems to give her confidence. “Me too, I’m sure we could all help each other. He knows every brook and gully”.

“Hey do you remember when you first bought me up here and we found him, meditating? We had that fabulous Lamb that you roasted and he had that crazy smoke.”

So I know them, God that’s disconcerting, I am frightened and hopeful. I don’t remember that time, but I do remember their voices now; I think that we were friends though I have my doubts the term is appropriate. I discovered this place much earlier than any of my temporary acolytes; I was seeking refuge, to recede from an incessant life but, weak, came to hope that strangers would arrive. They did of course pulled-in by the parties that I put on. They weren’t exactly wild but there was enough of everything to fill whatever short term emptiness arose. I was happy to fund it all.
Those who came were younger people predominately, some seeking to retain a carefree spirit in their hatch-battened corporate lives, some just hedonists, others thinking that this part of the world may hold a secret. I never held much truck with mysticism.

“Look it’s getting late, have you any idea where we are going or shall we pick our way back?” The frustration in her voice is rendering her hatefully.

“Does it matter? The time I mean? We’ll know exactly where we are in the morning, and then we can get to the cabin, make a fire, take a wash and have a good sleep. God, it’s only one night in the open, we know that we’re safe here; we could hear anyone coming for miles if that’s what’s worrying you.”

“So much for a fun time then”

She says this with such resignation, her broken heart had hoped for something on which to rest, a few days of visions, childlike, slowly entering her consciousness but car, bed and shower are strong forces.

Within the cage there is kindness
And other forces some unknown
I lean against an old wall waiting
With tricks to play wood on stone.

It’s a song that I wrote when people listened. I thought that they always would.

“Once these things mattered to you” he said.

She continues in her resigned mode, the same as contentment just moved along, same life, same actions, but a different tonal centre. It is now so dark that I cannot see a thing. She begins to hum the tune to my song. The compulsion to lick my fingers strengthens with the compulsion to show myself too. I am so frightened of being exposed I am held in stasis. As each desire grows the other keeps it firmly in check.

“They do matter. Still. Look, if we head back to car we should meet that trail, the one which leads up to the ridge. It’s a clear sky now, the moon should be up soon, we can hopefully see the copse and then make our way down to the hut. I want to do this, for you, for us. I wish he’d never sold it, especially to those two bores.

“Good girl, that’s the spirit. And if we can’t work it out from the ridge, we’ll head back to the car, sleep there overnight and find our way in the morning.”

He’s pleased, his enthusiasm is almost unbridled. I can hear him take hold of her, the whispered intimacies. They crunch away across the floor of leaves and rotting wood, back the way they came.

I wait for maybe five minutes so as to be sure that they have gone. Numb limbs, stiffened and sore it takes me a long time to make my body move freely again. The hut is only a few metres distant. I pick my way at ninety degrees to the path they took, up the hill and find a more comfortable place to watch and wait. I hope that they will find it again. I want to see who they are, see if I remember them.

I sold the hut because I didn’t want to be responsible. Loneliness is cause for despair though it is better than death and some lives are so deathly.

Thursday 21 January 2010

Amateur dramatics

It's been a few days since I have posted, and I can't say that there is a justifiable reason. Minor friction between me and my wife today, not articulated, not explicit but palpable with our history to provide context and understanding. So, I wrote a poem to try and describe, this is a draft and so maybe a revision or a few readings will create new knowledge about what is happening between us. One never knows. Here it is, if you read let me know what it says to you.


I alone: twixt desire and being tardy
She upstairs: withdrawn and supine
We, married: still and yet drifting
You (to me): "should do something!"
Me, with disdain: "what, like you?".
“He worries me”, you say to a friend.
Me? But I’m fine just groping within
For clutter and things to throw out.

21/01/10 Wheldrake, York.

Thursday 14 January 2010

Dog Walk

The sun is a fragment of circle, diffuse and greyed. From high-up it is a window into a room gloomy behind a flapping curtain . In the mind of the rook as it circles, I see the wind and I hear the future uncertain, I must eat or I will starve in the winter. I walk on a page between the lines where new snow has made the way less treacherous, a white page road dirtied by journeys very recently borne upon it. Ten minutes from home, the village church clock chimes ten and the distinct ring of the bells travels through the January sky to land damped on the ears, reminiscent of a clock locked in a forgotten room.

There is no one on the road but me.

On a parallel path the sound of a car travelling away from me is harsh incongruent and catalysing, no doubt a journey with a purpose. I shuffle my feet in the snow, and ask myself directly and harshly what I should do with my day, implying self condemnation. Directly consequent thoughts are hesitant; cleaning, baking, exercise and others are mumbled in an internaly rambling list, some items repeated, and all the while guilt admonishes me to do better. When it has gained a temporary hold on my recalcitrant nature a curse falls out and I tell myself that, for god’s sake, look for work, find an income, put some bloody effort in. That sort of thing.

The dog has run on ahead, there is no need to worry it; it is safe even when cars come by unless I shout at just the inappropriate moment causing it to change direction and run towards me. As I look down the road I see that there is someone walking toward me, some distance off. I’ve seen her before: a young woman walking away from the village. If it is her she’ll be in clothes ill matched to the surroundings, dressy, flamboyant, and glamorous even. We’ve never acknowledged each other before and as we step closer to each other I find myself wanting to greet her. Ten years ago I would have been smiling and walking toward her with a positive intent. Now I am not interested other than in the most basic sense and for that reason I make sure not to look her in the face. As we pass I notice that she is dressed quite sombrely and I forget that I am not to take her in. I glance up and see tears on her face. I do smile, weakly, and say hello. She reciprocates with out a smile and we pass continuing on, in our separate ways.

The rest of my walk is uneventful although for a minute or two the sun became a full circle of washed out light. No vehicles passed by and I didn’t have to call the dog under control until we were very close to home and before crossing the main road into our estate. I promised myself coffee and toast on my return and I am looking forward to it. The bells chime eleven now and their metallic resonance has regained its sharp timbre now I am much closer. I think that I’ll clean a bit and go to the gym. Maybe tomorrow I’ll see her again.

Wednesday 13 January 2010

Objects, emotion and memory

I turn over my hand and discover a mark that I had not seen before. My skin is slackening and its pores seem darker. The contrast with my mainly white edged with pink and blue veined background accentuates the dry lines made by the cold air and too much washing that I have been doing. The mark is redder than the pink in my hands but not so much as to be red. It is a little sore. I put it to my lips and draw it and the surrounding skin into my mouth a little. The wet of my mouth feels vey cool, my finger almost itches. If I diffuse my concentration I cannot feel a difference between the two physical sensations: mouth and finger. That feels good, the soreness is alleviated.

I would hate to lose any of my hands' function. A little of my sight and hearing is already impaired. Ringing, haziness; I notice no defect in the quality of my enjoyment. I have to adjust my habits somewhat but it is no hardship. I pick up my guitar and feel the neck, the frets' repetitive underpinning of the strings, the resonance of the body when I play. I can play. It is a marvel. I love to watch and hear expert players, there is beauty in the pivoting damping flowing that matches the notes and articulation. Nothing can match Bach on the guitar. Limited tool of emotion and expression that it is, sonority timbre and percussive acceptance integrate over a seemingly infinite range. The guitarist’s fingers are so much more than a bow or a piano's hammers.

I begin to play. I can feel the mark on my hand just against the lower neck, catching against the highest string. A few scales, stretches and chords to loosen tendons and create life. And then I am off. Today all is right. The hum of boiler and fan, the chill in my lower back, even the birds and the bell of the village church are left behind. I am submerged in the word of God in a godless universe. Each cadence moving counterpoint fixes time which begins to flow harmonically. Dissonance stretches the relationship rhythm anchors it to oscillating parallels. My moment is momentarily lost. A memory attempts to surface. Recently I have found recollection harder. Yesterday, how could I not be able to remember the name of my favourite poet? An enormous 'Yes' leaps out and then his name follows. We used to read to each other, poetry, newspapers, brief paragraphs a simile for that period of our lives. Now we are submerged in novels read separately, you with your favourites me with mine. I used to write for you until debt caused you to be angry with poetry, which in truth is not much use when a business is struggling. After that I stopped for a while, but not forever, I secretly harbour ambition you know.

I have almost completed my piece. I drove in fog through much of it appearing at the coda with a small element of surprise. I am smiling with joy at a temporary shift in key, I know how it is resolved but that sure knowledge and its impending achievement, memorised notes will make it happen, only amplifies the pleasure and succeeds in persuading memory to subside. There, it is done, the final chord. I put down the guitar and look at my hand once again, the mark has gone.

Tuesday 12 January 2010

Memory and Positive Thinking

Here's a link to this week's Radio 4 programme 'Start the Week'. Andrew Marr with Orhan Pamuk, Barbara Ehrenreich, Simon Schama and Susan Richards. Orhan Pamuk and Simon Schama drew me in. Barbara Ehrenreich has something fascinating to say about the fascism of positive thiking. Susan Richards annoyed the hell out of me.

http://www.bbc.co.uk/iplayer/episode/b00pqfjh/Start_the_Week_11_01_2010/

I got to thinking and writing and this is the result. Maybe later I'll revist and rework.

Rub together two fingers and the roughness you feel, let it multiply a few times in your mind. Concentrate upon the sensation alone and whatever it is that you wish to do put it aside for awhile and imagine loss. After you part your fingers both the impression of touch and that of loss remain, like diminishing and wistful itches, slipping away into the future. If you now stroke your hands together gently soft courageously there is a memory of that original marking. Put your hand to your face and feel its warmth, part your lips and breathe out gently, dampness on the palm and fingers; if your lips are not moving it can seem as if there is no separation between the sensation felt in the lips or the hands. Smell your breath as a lover would smell it. Know where you are soft and where you are coarse. Our face is a record of our time, contoured routed a death mask in life.

Physical specificity is very truthful; it integrates space and time in our senses and we cannot deny it. Physicality can catalyse memory. Remembering is an act filtered through time, pinning down details; one memory can spin off into many new worlds. I have borrowed these words as I have borrowed the knotted place and moment that I occupy. One day I will have to give it back.

It is said that I want to pin my life down to its impulses, to create the opposite of an idea and discover an electric centre where obsessive love resides, and where I am peripheral. It is said that if one cannot see a golden future then it is you that is at fault, as life cannot be to blame. Well let me tell you that life is bloody well to blame. To control every aspect of life is non-sensical, there is too much to take in. Only in the desert, if living the life of an ascetic, could the material life be separated sufficiently from the spiritual to allow sense to be made of it all. And even then the material could harm. No positive thought could make it better. No positive thought can make it better.

Saturday 9 January 2010

Midnight

I have had the opportunity to enjoy a great deal of time alone these last few days but I haven't made best use of it.

I am toying with the idea of starting a novel. I know that this seems glib of me seeing as the idea would require action alongside things such as my tendency for inaction, my musical escapades, the imperative of looking for work, living under the threat of a financial implosion and managing the fall-out from my ever reacting marriage.

I want to write. I quite like the idea of being an impoverished artist for a while. Not forever though. Some material comfort does have an appeal especially as I can glimpse the coming of my advanced age, a place in time where physical comfort is definitely proportionate to wealth. I am reading around novel writing at the moment: E.M. Forster's Aspects of the Novel, John Mullan's How Novels Work. Very daunting. Credibilty and Beauty are success criteria, but must not be the objects of pursuit. These things can only occur when that most unnatural medium, the novel, becomes a thing completely natural of itself. One thing I've learnt from Forster is that:

Plot = Story + Cause; Story = Character + Action + Time; Natural = Believeable Characters (Flat and Round) + Logic and Mystery.

There's a sort of irony in this as I seem to be all cause and no story. I have lots that I want to say but am at the place where I need character to say it. And I need Characters to say it too. One thing I think I can do with this blog is being to create a scrap-book of people, behaviours, situations, things that may help with my yet un-written desires.

I'll think about it. Good Night World.

Thursday 7 January 2010

Falling Asleep

I have an idea that maybe the elements of our consciousness wax and wane in a reciprocal harmony. I suspect that the oscillations are many dimensional. One dimension I will call evil because my vocabulary is too limited to name it correctly. So I put forward the idea that we exist in a universe where one of the critical measurements required to fix our position needs to be plotted on an axis of evil. I deliberately borrow from GWB. If I may also borrow from Hannah Arendt then another dimension is banality, amply demonstrated by Bush. These things will call us to account if we fall asleep on our watch.

Monday 4 January 2010

I am as bleak today as the frozen road.

I am as bleak today as the frozen road,
The compacted path a concealed cliché,
My way is as hard as rails. The low sun
Rushes to my eye, unrefracted and white
Concealing dirt beneath tracks pristine.

Summer suffocates. Its butterflies'
Fluttering stench seeks awakening.
What will it find? Hard winter is clean.
Something dark sleeps fitfully within:
Safe now, care is requisite in spring.

Edited 7th Jan 2010

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